Shattering the Silence: Three Minus One

Three Minus One: Stories of Parents' Love and Loss by Sean Hanish My rating: 5 of 5 stars

Disclosure note: I am one of the contributors to this anthology.

In July 2009, my first pregnancy ended. In July 2012, my second pregnancy ended. There will be no others. Those experiences—as well as the years of baffling infertility that preceded the losses, the attempts at adoption, the anger and hope, resolution and relief, the sense of a life unfinished and unfulfilled—have shaped me as an adult. They have affected me as a woman, a writer, as the mother I will always believe I was meant to be, as a wife who shares forever-grief with her husband.

In 2005, the wife of writer-director-producer Sean Hanish gave birth to a stillborn son. In their journey through sorrow and healing, Sean wrote the screenplay for a film. That film, Return to Zero, starring Minnie Driver and Paul Adelstein, premieres worldwide on Lifetime Network, Saturday May 17, 2014, 8:00 p.m. EDT. Return to Zero. Sean's original intention was to see this film distributed on the big screen. But realizing he would reach a vastly greater audience on a solid television network, he signed on with Lifetime at the Rome Independent Film Festival in Italy earlier this year. Bravo, Sean. Congratulations for your brave and beautiful work.

In tandem with the release of the movie and in the spirit of shattering the silence surrounding neonatal death, stillbirth, and miscarriage, Sean and Brook Warner, editor of She Writes Press, conceived an anthology of prose and poetry written by women and men affected by child death. Three Minus One: Stories of Parents' Love & Loss is the result of their collaboration and our—the contributors'—journeys.

This collection of essays and poems speaks of pain and loss so profound, you are left breathless. Yet there is also incredible beauty, joy, and redemption. The writing is extraordinary, each voice unique in its expression of universal themes, experiences, and emotions. The relief to know one is not alone is profound.

In just a few lines Heather Bell's poem, Executioner, captures the absurdity of grief--the acknowledgement that life goes on, even as yours is falling apart, and the strange, sad ways people react—trying so hard to empathize, to understand—yet botching it all, bless their hearts:

And the baby is dead but we need lettuce in the house, maybe some bread for morning toast so

I am at the store touching the potatoes at the spin, the slim wrists of carrot. And the baby is dead so

this entitles humans to talk about their dog's death, or gerbil's. This means I am expected to sympathize at

their loss. Because all death becomes, somehow, equal

Gabriela Ibarra Kotara reveals the Masters of Disguise that grieving parents become after the loss of a child: "I am that cautionary tale. No one wants what happened to us to happen to them." In Address Book, Meagan Golec reflects on how her friendships have changed since her child was born dead at 38.5 weeks. Elizabeth Heineman's What to Do When They Bring You Your Dead Baby in the Hospital is a tender, beautiful, elegiac prose-poem that I read over and over, wanting to sink inside her words. Marina del Vecchio, Silent Miscarriage, Shoshanna Kirk, To Balance Bitter, Add Sweet, and Susan Rukeyser, Our Bloody Secret, made me realize for the first time that I was not crazy for wanting to miscarry in my body's own time, even though it took weeks—the first time—or left me writhing on the floor for hours, hyperventilating in pain—the second time—and that searching in the mass of blood and tissue for signs of your child's body is horribly, gruesomely, okay.

All this death and loss is not a thing you talk about—not in polite company. Not with strangers and rarely even with friends. But death brought me to life, as it were. The deaths of my children brought me at last to the page, to be the other thing I've always known I was meant to be: a writer. Isn't that strange and awful and wonderful? I can't fulfill one destiny, but in its denial, I am walking the road of another. My essay Their Names touches on the discovery of another way to create life.

Miscarriage affects an astonishing number of would-be parents: an estimated 30% of pregnancies ends in loss. Mercifully, many of these occur so early that the mother doesn't know she was pregnant. But many of us spend weeks and months planning for and anticipating life.

Stillbirth occurs in 1 of every 160 births in the US and neonatal death—death within the first 28 days of life—1 in every 85 births. Shocking, isn't it? It's probably happened to someone you know. If and when it does, a simple "I'm so sorry for your loss" and a hug would be a beautiful gift. Offering Three Minus One would be a precious gift, as well. Parents in mourning need to know they are not alone. This book offers all the right things to say and do and feel and not feel. It is an embrace of compassion and empathy.

N.B.: The following readings by contributors from Three Minus One are scheduled in the Seattle Area (* I will be reading):

May 9, 1:00 p.m. Pacific Northwest Writers Association Cottage, Gilman Village, Issaquah

*May 22, 7:00 p.m., Third Place Books, Roosevelt, Seattle

*June 15, 3:00 p.m. Elliott Bay Books, Capitol Hill, Seattle

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These Are The Days

The first warm days of May set me thinking about the promise of summer. The season gets shorter as I age and each year my sense of urgency grows. I plan small adventures, vowing that this summer will be unforgettable, this summer I will feel like a child again. I look for quiet magic:  Shakespeare in the park, concerts at the zoo, swims in the lake, picnics at Shilshole. Once the gloom of June has passed, Seattle sparkles blue and green, wrapping an easy warmth around long, bright days. From the summer's true arrival in the Pacific Northwest in early July well into golden October, there are few lovelier places.  I never live up to my own expectations of summer. What becomes of those simple hopes, those picnics, concerts, Sundays at the market? What exactly did I do with my weeks that I have so few of them left and only a fog of memory behind me?

This year summer had an agenda that diverged so far from mine, we may as well have been in different hemispheres. I wake in mid-season, wishing I could press rewind on the remote control - not wanting to replay the weeks I'd lost, but to erase them and begin again, to insert a new story into the machine.

For seven weeks I've bled. From miscarriage to surgery to the first menstrual cycle since April, I live with a daily reminder of my helplessness over my body. A small fortune spent in the feminine hygiene aisle. A flood of hormones that sets my edge on edge, never certain what might set off the tears or the rage.

But now I emerge from the haze of heartbreak into the blue summer that is as soft as a worn pair of Levis. I tally the hurts, but also the triumphs. Days after my loss, I turned my heart to the page, filling the hollow space with words and finding joy in the act of creating characters and watching as their lives unfold on the page or screen before me. I may not have had the emotional energy to prepare those picnics or plan for those concerts, but I've made certain that every day I turn my face to the sun and move my limbs in the breeze. My running has never been stronger, my freestyle stroke never more fierce. Yes, I've retreated - it's my nature to pull away when I most need the comfort of others - but with a few deep breaths I'm able to reach out until it no longer feels like a chore.

And now it is August. The days of waking in the wee hours to the first dove-gray light of dawn have ended. I rise to the blue-black that will darken my early mornings until April. The afternoons are hot, but the brilliance has dimmed - our small section of Earth is tired from weeks without rain. The trees billow, but their bright leaves have faded to sun-baked green mottled with brown.

My favorite season is before me: Autumn, a time of renewal, when my energy rebounds in the cooling air. But the sky won't deepen to Grecian blue or glow with a Tuscan aura for a few weeks, yet. The evenings aren't ready to yield their velvety warmth to the freshness that heralds the season's change. Summer is resting, languid. The ice cubes in her sun tea have melted, the lemon wedge is limp, but she still tastes sweet. Let her stay, linger, for a while. I'm not quite finished - there is a little girl who wants to come outside to play.

These Are The Days ~ Van Morrison

These are the days of the endless summer These are the days, the time is now There is no past, there’s only future There’s only here, there’s only now

These are days of the endless dancing and the Long walks on the summer night These are the days of the true romancing When I’m holding you oh, so tight

These are the days now that we must savour

And we must enjoy as we can

These are the days that will last forever

You’ve got to hold them in your heart.

These Are The Days lyrics © Universal Music Publishing Group

Yet the Edge of Day is Bruised

It is a singularly beautiful day. Brendan and I are walking through one of our favorite haunts - a stretch of beach on the Puget Sound north of Seattle. Nature is shaking her hair free, sending droplets of rain one moment, a burst of sun the next. The wind is whipping up secret scents from the forest behind me, the kelp and seaweed at my feet weep a salty tang. Seagulls coast on air currents and fall in flocks to the water, whistling and laughing in jovial competition; geese march in armies across driftwood to the wetlands hidden among giant cattails and Lady ferns. The autumnal equinox occurred on Friday, yet there is only a slight shift of color, an occasional rash of plum red or burnt sienna staining the leafy arm of a maple or ash. On this windy afternoon the tide is high and waves spin and slap against the shore. The water is surprisingly rough in this sheltered finger of water. The rush of whitecaps in the cobalt water mirrors the bundles of clouds rushing in the forget-me-not blue sky. Wind surfers twist in the cool air, fish trawlers crest the heaving water. A towering city floats past - a cruise ship bound for Alaska that seems outlandish in this solemn stretch of bay between Seattle and the Kitsap Peninsula. Shadowed by clouds, the Olympic Mountains beyond are a primordial and ominous barrier to the Pacific Ocean.

This is a peaceful, beloved place only a few steps removed from the chatter and traffic of a city. It is not far from where a friend recently ended his life.

I am acutely aware of Jeff's absence as I walk along the sand, so near to where he spent his final hours. It is hard to imagine that anyone would choose to forgo this beauty, that there could be any sorrow so deep it could not find comfort in a place so unblemished and whole.

After Jeff's body was found and his death ruled a suicide, we wondered why he didn't ask for help, why we didn't see it coming, how such a warm, generous, open-hearted man could hide such unhappiness and continue to function in a job he loved, to care for an ill wife of whom he spoke in the most tender terms.

But the mine shaft of depression is deep and the slide into its depths can be swift - the trapdoor opens and swallows you alive, leaving behind your skin and a shadow of your soul. You remain in the close, dark place alone, your voice silenced, like those nightmares when you try to scream, but only a croak escapes your throat.

Some are able to crawl their way back to the surface, to emerge panting and dazed. Their visible scars will fade in time, but there will be wounds which never fully heal. Others slide deeper, until the only way out becomes the only choice they believe is left to them.

We cannot know another's heart. We cannot judge their response to or tolerance of pain any more than we can begin to understand our own. We will regret missed clues, we will feel anger at what we perceive as a selfish act, we will mourn the beautiful days they will never experience.

I am deeply sorry for the choice Jeff made. I am beginning to accept that it cannot be undone. But I'm certain he is with me on the beach today. And now I know he's okay.